REVIEW: "the Book of Life" by Deborah Harkness

"Wild Card," you say, "Why didn't you post at all last week? Why have we been waiting for content since your last book review?"
THIS BOOK IS WHY. Like the last two books in the trilogy, I've been surreptitiously (and not) been reading this book since I did my last review. The only things that have kept me from this book are work, church, and sleep (and the last one may have been compromised by it). Though it doesn't go quite as quickly as the other two in the trilogy, I was still reading 125 pages a day at least (that's a record for me.)

So, real thoughts on The Book of Life?
First, SPOILER WARNING. (this is the third book in a trilogy. If you want to read it unspoiled, proceed with caution and maybe don't proceed at all).

Plot summary: Basically, this is the part where the pieces of Ashmole 782 finally get put back together and the Congregation and the Covenant are faced.
There are questions posed for Act 3: Are any of Matthew's children a threat? (Yes. Matthew's vampire-son, Benjamin, is, lightly speaking, a psychotic asshole of the rape-and-murder variety.) What will the Congregation do about Diana and Matthew's relationship? Are Peter Knox and Gerbert the Vampire going to continue being assholes until the end? (Yes, but someone has to).
There are prior questions answered as well: what is blood rage? What determines which vampire manifests the traits and which vampire is a carrier? How are weavers made, and why is Diana a weaver and not a normal witch? (an interesting answer awaits these two). What does the Book of Life actually say?

There are a lot of answers to a lot of questions. The Book of Life is a fast-paced conclusion to the series, and I loved almost every page, especially because Diana does a lot of saving people by the end of it.

I say "almost" because there are a few issues. SPOILER WARNING REMINDER.



Firstly, Gallowglass. I love this vampire to death, and I wish his plot arc could have ended better. It appears that he fell in love with Diana in 1590, but it wasn't clear whether he was in love or he had actually hoped to mate with her later on. Part of me was wondering whether this would be a situation similar to Twilight, where an ancillary love interest (Jacob) spends a lot of time with the heroine while she's pregnant; it turns out that the heroine's daughter is Jacob's One True Life Partner. Though the process of vampires choosing thier One True Life Partner is not fully explored in the All Souls Trilogy (when the main couple are fully consenting adults, mating only needs to be explained as Somewhat More Than Marriage), I'm a little bit curious as to why Gallowglass's feelings are brought up at all. Is it possible for a vampire to mate when the other being is still a zygote? If so, has Gallowglass actually developed feelings for one of Diana and Matthew's twin children when they're still fetuses? Are his feelings just a reason for Gallowglass to agree to be Diana's bodyguard when Matthew is out?
Given that Gallowglass does have feelings for Diana, it makes sense that he isn't present in the epilogue. I do wish that he could have been there, though.

Secondly, the climax. I can handle a moderate amount of bodily harm in fiction, but there were moments when I felt gross. That, like nothing else, showed how much of a psychotic asshole Benjamin could be. The climax was good for a few reasons: two of Diana's struggles were overcome (lack of magic and hesitating before killing), the fact that she saves Matthew and not the other way around, that Benjamin got a truly fitting death, and that Diana was able to face and run the Congregation.

Thirdly, the ending. Some of it seemed too perfectly wrapped-together. The revocation of the Covenant, which really needed to be revoked, was very good and fitting, but there didn't seem to be enough of a price. Yes, Diana was exhausted and absorbed the Book of Life and all that, but what are the ill effects of that? All it really seems is that now Matthew can truly say to their children, "Pay attention to your mother, because she really does know everything." Though the scientific exploration of creatures is interesting, it just feels too well-wrapped.


The duration of the story into the third act, though, is great. The biggest drawback I can think of is that these books are really heavy and I can't always take them everywhere.
Definitely check them out if you have the chance.

BOOK REVIEW: "Shadow of Night," by Deborah Harkness

BE WARNED: SPOILERS TO COME. PROCEED WITH CAUTION.

Shadow of Night, the second book in the All Souls Trilogy by Deborah Harkness, is a fairly good follow-up to the first book. The book functions well as the second act in a three-act narrative, which is fairly important for a trilogy.

A brief summary:

Diana and Matthew go back to 1590 England (and Prague, and France) to learn more about the mysterious Ashmole book and to teach Diana more about her magic. While there, Matthew's backstory unfolds and they get clues to the future of their relationship.

As a standalone narrative, Shadow of Night is a pretty good book. As a sequel to Discovery of Witches, it's even better. Matthew and Diana develop more character, independently and together, and they handle threats to their relationship in ways that reflect their character development. This includes one part where Matthew will not sit down and have a much-needed Big Boy Relationship Talk, so Diana finds a way to make him have the much-needed talk without resorting to anything too dangerous.

Now I'm going to do something that I've never done in a book review: Making a List of Favorites/ Least Favorites.

spoilers ahead

new character

Favorite: Gallowglass or Jack Blackfriars. Though Henry Percy, Walter Raleigh, Rudolf II, William Shakespeare, Christopher Marlowe, and a number of other historical figures make appearances, these two fictional ones are my favorites. Gallowglass is Matthew's nephew (in vampire lineage), and, once he gets used to the idea that Matthew is married to a witch, is a very fun character. Though I always imagined him at around the same age as Diana, he always calls her "auntie," which is funny in contrast to his description (tall, Scottish, and burly). If this were a movie, I would probably ask Chris Hemsworth to style his hair like he does when playing Thor and learn a Scottish accent.

STOP LOOKING SO SERIOUS, GALLOWGLASS.

Source: screenrant.com

Jack is a street rat. I wasn't sure about his function at times, but he allowed Matthew to show his paternal side occasionally. For the record, "Matthew" and "Paternal Side" are things that I didn't think would go together, but it happened and it was adorable.

Least Favorite: Diana's father. Though Diana and her father meeting by chance in 1590 was an interesting chapter, it felt thrown in at the end. He did make a few important points to help his daughter's marriage and magic, they all seemed like things that could have been said by someone else. William Shakespeare could have sent them on their first real date, and the coven that Diana learns from could have pushed her a little bit farther without the help of her father. It was interesting to read Diana's encounters with the father she lost at age 7, but it felt unnecessary somehow.

scene in the book

Favorite: okay, I've narrowed it down to two.

First, there was when Philippe, Matthew's vampire father, finally accepted Diana into the family. The entire chapter was intense for a number of reasons, but when he finally accepts her into the family, every interaction he has with her makes much more sense. There is one final test, which results in perhaps my favorite line in the book: "I just killed a man! Now is not the time to discuss our marriage." (Philippe throws Matthew and Diana a Real and Proper Wedding after that, which is a pretty good scene in itself.)

Second is when Diana and Matthew somehow get on the topic of vampire romance novels. It's only a brief exchange and I'm not sure I should include it, but whatever. It's very funny because, in the context of a vampire romance thread, it calls out basically every vampire romance novel ever. It concludes with my second-favorite line in the novel: "Help! I think I married a vampire!"

Least Favorite: It's hard to say. As a whole, the novel stands out as a fairly cohesive work. The final scene is good for showing how each artifact from Matthew's modern-day life winds back up at his home 420 years later, but I would rather the work end on more of a cliffhanger to race through to the third book.

Some of the flash-forward scenes are somewhat weak as well, but help to introduce at least a few new people. It does make more sense to show these connections rather than have someone say "hi, this is _________ we met when we were searching for you" or something.

overall impressions

this is one rollicking ride. If you like vampire romances where vampire romance is only half the point, definitely pick up this series.

BOOK REVIEW: "A Discovery of Witches" by Deborah Harkness

Yesterday, I finished reading A Discovery of Witches, the first book in the All Souls Trilogy by Deborah Harkness.

To call this the first book in a vampire romance trilogy is not entirely accurate. Yes, a witch and a vampire fall in love. Yes, these two are the main couple in the series. Yes, there are consequences to their relationship that need to be sorted out. Unlike Twilight, however, that's not the major point of the series.

Diana Bishop is a witch by blood and a history professor by trade. She takes a sabbatical in Oxford to do some research. Her era of focus is the transition from alchemy to science. One day, she brings a book from the stacks that has been missing for centuries, known as Ashmole 782. This book is important to a whole lot of creatures for a whole lot of reasons. Diana doesn't know that and, once she's done trying to read the magically encrypted text, she sends it back to the stacks.
As she's working on her research the next week, Diana meets Matthew Clairmont. Matthew's a vampire geneticist who focuses on evolution. Matthew wants to see Ashmole 782 because it may show why vampires, daemons, and witches live and work among humans at all.

The first half of the book focuses more on setting up the world, Matthew's theories, Diana's power (and the fact that she doesn't use it), and the relationships that should and should not happen among vampires, witches, and daemons.
The second half has a lot to do with the development of Diana's relationship with Matthew, with a bit more exposition to each backstory. We meet Matthew's vampire mother, Ysabeau (who is probably my favorite character), Marthe the vampire maid, Sarah and Emily (Diana's aunts, who raised her after Diana's parents died), and Matthew's co-workers - his son Marcus and friend Miriam.

The book ends with SPOILERS, but I'm excited to read the next book, Shadow of Night. It seems to involve time travel, William Shakespeare, and Christopher Marlowe having the hots for Matthew.

This book is fairly good for a vampire romance category, but it doesn't fit neatly into that. I hope that the rest of the trilogy delves more into the significance of the Ashmole book, and why EVERYONE seems to want it.
A Discovery of Witches also includes really important details about psychological reactions to events, but without blatantly saying "THIS PERSON HAS A DISORDER." (except in the beginning, but that turns out to be a bit false). One of the highest-tension moments is a big spoiler, but it involves Diana getting a lot of nasty scars on her back. After that, she gets really uncomfortable whenever anyone is standing behind her and she doesn't know what they're doing. This is everything from when Matthew and Sarah treat her wounds to someone just entering the room when she's facing away from the door. There is a lot of attention to detail like that - sometimes too much. The climax seems to be a series of information dumps and plot twists that I hope will be resolved in the next book.

In all, though, A Discovery of Witches is a really fun read for anyone who wants an interesting introduction to a fantasy/ romance series.